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Rosanne Ullman

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Is Precision Cutting the Enemy of Artistic Design?

You know that I love hearing from you, so I was very interested in a comment that a reader left in reaction to my post urging you to become expert at precision cutting. He maintained that precision training was too basic for advanced stylists and asked, “If everyone cuts precision, what makes one person’s hair cuts any better or any different from the next—does the one cut a straighter line than the other?”

I often think about the similarities between my work and your work. We both rely heavily on our creativity. As a writer, I must know grammar rules and sentence structure; I also must learn to use the latest technological tools in order to do my work efficiently. All of that represents the precision in my profession, and I learn something new every time I review the basics. Only by continuing to master those skills can I stretch my creative muscles and put my individual brand on the work.

You can see why I really relate to the comment on the blog. Where would I have gotten in my career if I’d written in a precise, correct manner that lacked originality? Probably not as far as this great blog I get to write! So, while I continue to urge you to become razor-sharp at precision cutting, I agree that you should use that expertise as a jumping-off point—a foundation on which to build each head of hair individually, creatively and passionately. That’s what I really meant to say!

Photography by Roberto Ligresti; hair by Beth and Carmine Minardi team.

Print | posted on Thursday, August 14, 2008 4:48 PM

Comments on this post

# re: Is Precision Cutting the Enemy of Artistic Design?

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Precision cutting teaches discipline and many hairdressers who are very artistic and creative could use a strong dose of discipline when cutting. I saw this in the Posh Bob craze. Hairdressers unfamiliar with the proper execution of the angles did their best to give this cut to their hopeful clients, but often the end result lacks precision. (Usually they were hesitant to cut the nape short enough to support the angles of the cut.)

While the reader who commented may have no difficulty cutting a sharp, straight bob, many hairdressers do.

In painting classes, you learn perspective an proportion before you learn abstract. One is the foundation of the other.

Please continue to suggest that your readers get great skills at the fundamentals. There is time enough in a career to expand your artistic side!
Left by Aura Mae on Aug 14, 2008 6:27 PM

# re: Is Precision Cutting the Enemy of Artistic Design?

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Precision cutting is absolutely the most important factor in developing hair cutting mastery. It is a foundation that must be understood in order to develop any creative designs. The challenge arises when without someone to coach them, they are unable to cut lines that are contrary to the lines they learned in precision cutting. The reason being is usually precision cutting has been so strickly enforced (and rightfully so) that anything different seems instinctively wrong.

In the previous article the writer mentioned that when attempting a
to cut a Posh Bob stylists left the nape section too long. This is simply one of the challenges. In other areas of cutting the stylist will tend to cut too short or to round corners that should not be rounded. Although many of these issues are from being stuck on the discipline of precision cutting. Another factor comes into play -- Fear of Creativity.

We all have creativity to one degree or another. The problem arises when a person worries about how that creativity will be perceived by his or her peers. "Will they laugh at me -- think it looks stupid -- not understand it . . ."
Left by Danny LaPrade on Sep 07, 2008 5:16 PM

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